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Remove Background. Lets you automatically/selectively remove portions of a picture based on color patterns. For example, this feature can remove everything from a picture except for a single object, such as a ower or a car. This set of tools requires considerable practice to get the desired results, so I encourage you to practice with the tools provided in the Background Removal tab until you get the hang of them. Corrections. Sharpen, soften, and adjust the brightness of images for better printing or onscreen presentation (Live Preview). Color. Applies different color masks to achieve antiquing, sepia tone, grayscale, and a variety of other color effects (Live Preview). Artistic Effects. Provides 23 special effects, such as pencil sketch, blurring, charcoal sketch, paint strokes, and others (Live Preview).

fading channel using the simulation parameters listed in Table 9.1 and the assumptions stated in Section 9.4.3.

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The frequency acquisition algorithm has to provide an initial frequency error estimate,which is sufficiently accurate for the subsequent frequency tracking algorithm to operate reliably. Generally the initial estimate must be accurate to half a subcarrier spacing. Sari [464] proposed the use of a pilot tone embedded into the data symbol, surrounded by zero-valued virtual subcarriers, so that the frequency-shifted pilot can be located easily by the receiver. Moose [465] suggested a shortened repeated OFDM symbol pair, analogous to his frequency tracking algorithm to be highlighted in the next section. By using a shorter DFT for this reference symbol pair, the subcarrier distance is increased and thus the frequency error estimation range is extended. Clal3en [442,443] proposed to use binary pseudo-noise (PN) or so-called CAZAC training sequences carried by synchronization subcarriers, which are also employed for the frequency tracking. The frequency acquisition, however, is performed by a search for the training sequence in the frequency domain. This is achieved by means of frequency-domain correlation of the received symbol with the training sequence.

A useful feature of the Channels panel is the ability to select one or more of the channels individually. When only one channel is selected, changes that you make by drawing, erasing, and applying filters are made to that channel only. This allows you to create special effects on specific channels or fine-tune adjustments to a single channel. You can select channels in the Channels panel by clicking them with the mouse or by pressing the Ctrl/ +# key sequence listed next to the channel name. When you select the composite channel (RGB or CYMK), the image display shows the results of all three channels. When you select an individual channel, the image display shows a grayscale rendition of the levels of the selected channel. To select multiple Channels, use the Ctrl/ or Shift keys. When multiple channels are selected. the image display shows the results of the combined channels. You also can specify whether a channel is visible by clicking the visibility box next to the channel in the Channels panel. When the eye is displayed in the box, the channel is visible in the image display. When the eye is not displayed in the box, the channel data is not used to render the image display.

(3.57)

2 0 2 0.1 0.2 0.3 0.4 0.5 0.6 0.7 0.8 0.9 1

(1.121)

The trade-offs are:

Common Name Attribute: User s common name (for example, John Doe) E-mail Attribute: User s email address (for example, jdoe@mydomain .com) Rfc822 Mailbox Attribute: User s alternate mail alias (for example, johndoe) UID Attribute: User s ID (for example, jdoe) Surname (SN) Attribute: User s surname (for example, Doe)

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